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	<title>Stephen Coles</title>
	<link>https://stephencoles.org</link>
	<description>Stephen Coles</description>
	<pubDate>Sun, 23 Apr 2017 22:30:24 +0000</pubDate>
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		<title>bio</title>
				
		<link>http://stephencoles.org/bio</link>

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		<pubDate>Sun, 23 Apr 2017 22:30:24 +0000</pubDate>

		<dc:creator>Stephen Coles</dc:creator>
		
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		<description>Medium BioStephen Coles (he/him) is Editorial Director &#38;amp; Associate Curator at Letterform Archive, a nonprofit library and educational center in San Francisco, where he co-curated the exhibition Strikethrough: Typographic Messages of Protest. As an editor and community builder who seeks to connect font makers with font users, Stephen co-founded the websites Fonts In Use and Typographica, and wrote the book The Anatomy of Type. Previously, he was a creative director at FontShop, and a member of the FontFont TypeBoard.

Long Bio
Stephen “Stüf” Coles&#38;nbsp;(he/him) was raised in Salt Lake City where he was drawn to publishing by his father who ran a local magazine, and was hooked on fonts the moment his family got a Mac. In college, instead of attending class, he learned about type (and life) as a designer at his university newspaper, The Daily Utah Chronicle.&#38;nbsp;After a brief stint as a freelancer in Stockholm, Stephen moved to San Francisco in 2004 to serve as FontShop’s creative director and a member of FontFont’s TypeBoard. He was also an independent consultant, connecting font makers with font users and advocating for the interests of both groups. While at FontShop, he served as a host for the TYPO Berlin conference, where he met his wife, Laura Serra. Stephen co-founded the websites Typographica and Fonts In Use, wrote a monthly column for Print magazine, and authored the book The Anatomy of Type. In 2017, he joined the nonprofit library and museum&#38;nbsp;Letterform Archive as Associate Curator &#38;amp; Editorial Director. With his background in design and journalism, combined with an obsession for type history, Stephen is responsible for the online face and voice of the Archive, and helps to shape the future of the collection.
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← Back</description>
		
		<excerpt>Medium BioStephen Coles (he/him) is Editorial Director &#38;amp; Associate Curator at Letterform Archive, a nonprofit library and educational center in San Francisco,...</excerpt>

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		<title>Home Page</title>
				
		<link>http://stephencoles.org/Home-Page</link>

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		<pubDate>Wed, 13 Apr 2016 14:19:05 +0000</pubDate>

		<dc:creator>Stephen Coles</dc:creator>
		
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		<description>Stephen Coles is Editorial Director &#38;amp; Associate Curator at Letterform Archive in San Francisco. He also co-publishes Fonts In Use and Typographica.&#38;nbsp; &#38;nbsp; Previously, Stephen wrote the book The Anatomy of Type and was a creative director at FontShop. &#38;nbsp; &#38;nbsp; He shares his life with his wife,
Laura Serra.

Longer bios → 
OTHER BOOKS2013 &#38;nbsp;The Field Guide to Typography &#38;nbsp;introduction
2015 &#38;nbsp;The Evolution of Type &#38;nbsp;foreword
2022 &#38;nbsp;Strikethrough: Typographic Messages of Protest&#38;nbsp; contributions
2023 &#38;nbsp;Only on Saturday: The Wood Type Prints of Jack Stauffacher &#38;nbsp;essay
2025 &#38;nbsp;Emigre Fonts: Type Specimens 1986–2024 &#38;nbsp;preface

OTHER PROJECTSTypographica Library&#38;nbsp; learn about letters
Font ID&#38;nbsp; identify lettersStrikethrough exhibition&#38;nbsp; letters for protest
Chromeography &#38;nbsp;letters on carsFleurs Coiffeur Liquor &#38;nbsp;letters on buildingsThe Mid-Century Modernist &#38;nbsp;not letters
Stüf Stuff &#38;nbsp;ephemeral residueTALKS
A Typeface is a Chair&#38;nbsp;on selecting and using type

State of the Mart&#38;nbsp;on making and selling type

What’s the Use of “Fonts In Use”?
Pre-digital Type Specimens&#38;nbsp;at Letterform Archive
Breaking the Swiss Grid&#38;nbsp;at Letterform Archive

Bauhaus Typefaces at Letterform Archive

Letterforms of the Viennese Secession at Letterform Archive
Neon/Font with SF Neon
Neon/Matchbook with SF Neon
Strikethrough: Typographic Messages of Protest at Ephemera Society
Webfonts Today&#38;nbsp;on the state of screen type in 2014
ChromeographyARTICLES
Behind the Scenes with Licko &#38;amp; VanderLans&#38;nbsp; 2025
Inside Emigre Fonts &#38;nbsp;2025
The Darden Type Design Archive&#38;nbsp; 2024

Schriftenkartei, a Typeface Index&#38;nbsp; 2023
Milwaukee Transit Passes of the 1930s–60s&#38;nbsp; 2022
Right On&#38;nbsp;Is a Powerful Little Paperback…&#38;nbsp; 2022
Jack Stauffacher’s Studio&#38;nbsp; 2019
Lautsprecher Gets Its Voice Back&#38;nbsp; 2019
Herbert Matter Letters &#38;amp; Logos&#38;nbsp; 2018
Linotype Master Drawings&#38;nbsp; 2017
Review: Size-specific Adjustments to Type Designs &#38;nbsp;2014&#38;nbsp;
Brief Typeface Reviews for Identifont &#38;nbsp;2014–2019

INTERVIEWS
San Francisco Chronicle 2019&#38;nbsp;&#38;nbsp;Listgeeks 2011 &#38;nbsp;Typekit 2015 &#38;nbsp;GQ 2021 Corita Kent: The Pop Art Nun 2021
PAST CLIENTS
101 Editions &#38;nbsp;Font Bureau&#38;nbsp; Identifont&#38;nbsp; MVB Fonts&#38;nbsp; Persona&#38;nbsp; Production Type&#38;nbsp; Schick Toikka&#38;nbsp; Type Network&#38;nbsp; Webtype

ELSEWHERE Mastodon typography

 Mastodon not typography

&#38;nbsp;Answers to type questions
&#38;nbsp;Pictures
&#38;nbsp;Bits of work


&#38;nbsp;Contact Stephen

&#60;img width="1200" height="1085" width_o="1200" height_o="1085" src_o="https://cortex.persona.co/t/original/i/e98274c541348f7984666f3e51dbcc3ed238570bdc33044437aa2b45a998daa8/FloatingStewf-trans.png" data-mid="631" border="0" data-scale="10"/&#62;Portrait by Laura Serra.

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		<excerpt>Stephen Coles is Editorial Director &#38;amp; Associate Curator at Letterform Archive in San Francisco. He also co-publishes Fonts In Use and Typographica.&#38;nbsp; &#38;nbsp;...</excerpt>

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